Most of the charities we work with use a professional company to do their check-in, check-out, silent auction and bidder recording for the live auction and paddle raiser. The top organizations in Denver (where we’re headquartered) are GiveSmart, Auction Event Services (AES) and Bolder Events. One of the things these groups do that is super effective -- they give concierge service to the winning bidders.
When a live auction item is sold, they send one of their team members with an iPad to the winner’s table. They get the winner’s name and address, swipe a credit card and handle the checkout on that item on the spot. This is great service for your winners, because it saves them from having to stand in line to pay at the end of the night. Plus, it allows you to lock in that sale. Sometimes, if you don’t collect the money immediately, the winner may start to have second thoughts and may decide that he or she doesn’t actually want the item.
They might walk out of the event at the end of the night without paying. Then you’re put in the position of hounding them after the event to try to collect. That’s a miserable situation. So avoid that by using a concierge model to collect the money immediately when that item is sold.
You should strongly resist the urge to add impromptu items to your live auction during your event.
Here’s the typical scenario: The live auction is going gangbusters. All the items are selling for great prices. The audience is really into the rhythm and flow. Then the development director come up to the stage to whisper to the auctioneer that there are a few silent auction items that didn’t get bids so we should try to sell them in the live auction.
That’s a terrible idea!!
The audience has already told you through their actions in the silent auction that they were not interested in those items. Don’t make it worse by putting these unpopular into the live auction, and begging for someone to take them.
When you add silent auction items to your live auction, you typically go from selling items for $2,000 each to selling items for $200 each. It’s a downer on the overall mood of the event, and it drains the patience of your audience.
Or maybe you have a donor who offered up a package at the last minute and wants to include it in the live auction. You should carefully evaluate that package.
It’s tempting to always say “yes” to these last-minute donations, because you think “well we CAN make more money by doing this.” But you have to think carefully to ensure that you’re not accidentally sabotaging your live auction or turning off your audience.
We recommend that you develop a plan for your live auction and then stick with that plan. Don’t add things at the last minute, unless they are really special and a perfect fit for your event and your audience.
We believe it was Thomas Jefferson who (sort of) said, “We hold these truths to be self-evident: that all Live Auction Items are NOT created equal; that they are NOT endowed by their Creator with universal appeal to the audience; that among the qualities that diminish their appeal are they’re too personal, too subjective and/or too unusual.
Works of Art and jewelry tend to be pretty binary -- they either go like gangbusters or they perform terribly. There is very little middle ground on these items. You might have a year in which a piece of art or jewelry was the absolute best thing in your live auction. You had two people who were in love with the item, and they both were wealthy enough to go deep, so it was the highest selling item in your live auction.
The next year, you come back with another piece of art or jewelry, thinking that it’s going to go great again, and you’re mortified when it struggles to get an opening bid and then gets just one or two bids before selling for a fraction of its value. And worse still is that the artist or the donor of the jewelry is in the audience watching this disaster unfold. What just happened? This is the reality of Art and Jewelry.
They are such high-risk items, that you should never put them into your live auction unless you are absolutely positive that you’ve got a least two people in the audience who are in love with that item and you are absolutely positive that they will bid on that item.
Obviously, this rule doesn’t apply if you’re hosting an art auction or a jewelry auction. But here’s an interesting truth that will apply at most events -- unique, subjective items like art and jewelry will do just as well in the silent auction as they will in the live auction. These items rely on two people being passionate, and if you have those two people, they’ll duke it out in the silent auction. That way you raise the money without having to endure the risk of the item bonking in the live auction.
Even in the best of circumstances, you will sometimes have things that go wrong during the live auction that you didn’t expect. An item will get zero bids, or it will sell for a high price, but the winning bidder will disappear or it will sell, but the winner later says, “I don’t want it.”
What do you do when these things happen?
The good news is that most of these things are predictable risks and you can plan in advance how you will handle them if they happen.
Let’s say that an item does not even get an opening bid?
In the normal auctioneering world where items are up for liquidation or wholesale price discovery [See Step 3], the auctioneer would simply lower the starting bid until someone bit. It might look like this:
But in your fundraising auction, you may be selling a consignment trip with a reserve of $2,500, and your auctioneer is starting at $1,000 just to get the bidding started, but he or she isn’t going to sell it for less than $2,500.
If the audience won’t even make an opening bid of $1,000 on this trip, it’s better to just pull it and move on.
We recommend saying “Okay, we’re going to pull this item for now, and we may come back to it later in the auction.”
You just want to gracefully exit the item without making a big deal about it.
This is something that happens periodically. People at a benefit auction are not always paying close attention. They’re drinking and socializing and sometimes they bid as a joke or completely by accident. They’re telling a story, gesturing with their hands and because they have their bidder number in their hands, the auctioneer sees it as a bid.
Then the auctioneer says, “Sold for $5,000!” and they win the item. When your recorders go to them for the Concierge Service [See Step 17] to get their payment method, they say that they didn’t bid and they don’t want the item.
If your auctioneer is aware of this before moving on, there are two possible responses:
We recently did an event in Denver where a Broncos VIP package sold for $12,500, but the winner refused to raise his paddle to confirm the purchase. When the Concierge Service recorder went to the table the winner said that he hadn’t meant to bid. So the auctioneer went back to the $10,000 bidder, but he didn’t want to stick with his bid.
So we started over. Went back to $5,000 and worked our way back up. The item ended up selling for $13,000, which was $500 better than the original.
What do you do when there is lively bidding on an item, and it sells for $10,000. The concierge service recorder goes to them to gather their information, and they give their contact info, but they say they want to be invoiced for the purchase rather than putting it on a credit card. No problem.
Then later, the person reneges on the purchase and says, “I don’t want the item.”
In the best case scenario, they renege before the live auction is over, and you can alert the auctioneer and resell the item immediately. It stinks to have to do that, but it’s a blessing that you have the opportunity to put it up for auction again.
In the worst case scenario, they renege on the item the next day or the next week, when you have no opportunity to sell the item again. In that case, you probably have to speak with your attorney to understand what your options are.
You should probably try to negotiate some type of donation from the person.
We’re not sure that you would actually want to sue one of your bidders. If this person is a regular supporter, then you don’t want to ruin the relationship, or if this person is a close friend of one of your regular supporters, you may not want to ruin that relationship.
You never want your live auction to turn into a beg-a-thon, where your auctioneer is on the stage begging futilely for people to bid. It is shockingly easy for a live auction to fall into beg-a-thon mode.
Here’s how it happens:
You’ve got an item that you expect to sell for $5,000, but after starting at $1,000, the auction has stalled out at $2,500. So now the auctioneer is on the stage saying: “We’ve got $2,500 … how about $3,000? … $3,000? … anyone want to go to $3,000?”
Then a board member comes onto the stage, takes the mic and starts explaining how great this item is and why someone should bid on it.
Then the auctioneer continues begging for someone to bid $3,000 or even $2,750, but the audience isn’t responding.
Don’t do this. Don’t beg the audience to bid on an item that they’re clearly not interested in. Maybe you thought it would sell for more, but when the audience is telling you that they’re not interested, you have to accept that and move on.
We believe that the auctioneer needs to read the mood of the bidders, and if a bidder is talking to her husband and is clearly considering a decision, then it’s okay to stall on stage and wait for them. However, when the bidders are making it clear that they’re done bidding, sell the item.
When you do this, you’re training the audience that you’re not going to wait for them. If they want to bid, they should bid quickly. They should not expect that you’re going to slow down the whole event to wait for them to make up their minds.
The auctioneer is basically playing the “Marco Polo” game that kids play in swimming pools. Every time the auctioneer asks for a bid, he’s effectively saying, “Marco” and every bid is the audience saying, “Polo”. When the audience stops bidding, the auctioneer should sell the item.
It’s as simple as that.
No beg-a-thons.
In the best-case scenario, they renege before the live auction is over, and you can alert the auctioneer and resell the item immediately. It stinks to have to do that, but it’s a blessing that you have the opportunity to put it up for auction again.
In the worst case scenario, they renege on the item the next day or the next week, when you have no opportunity to sell the item again. In that case, you probably have to speak with your attorney to understand what your options are.
You should probably try to negotiate some type of donation from the person.
We’re not sure that you would actually want to sue one of your bidders. If this person is a regular supporter, then you don’t want to ruin the relationship, or if this person is a close friend of one of your regular supporters, you may not want to ruin that relationship.
There are a few live auction games that you can play with your audience to get everyone involved. As we’ve noted earlier, only a tiny percentage of your audience can actually afford to win a live auction item, so auction games allow far more people to participate.
This is a simple game that is easy to explain and easy to play.
Basically, your audience members contribute a price that you’ve determined (usually $25, $50 or $100), and they’re in the game to try to win a prize. It could be something that has broad appeal like a staycation, airline tickets or tickets to a sporting event. Or it could be cash -- $250, $500, $1,000.
Everyone is on their feet at the start of the game, and the auctioneer instructs them to choose “Heads” or “Tails”. They indicate heads by putting a hand on their head. They indicate tails by putting a hand on their tail.
The auctioneer flips the coin. Everyone who chose correctly stays standing, everyone who got it wrong, sits down. The auctioneer continues in this fashion until one person wins the game.
Auction Chicken is a game that has the ability to sell items for much more than they would make during a regular live auction item. In the example we shared earlier of the two Terrell Davis footballs that sold for $9,500 each, they vehicle for selling them was the Auction Chicken game.
A normal live auction item is an opt-in event. Nearly everyone in the audience is “out” of the game, but they can raise their paddle to put themselves into the game. Auction Chicken is powerful, because it’s an “opt-out” game. Everyone in the audience is automatically “in” the game, and they have to take an action to opt out.
There’s something about the psychology of this game that really increases values.
Here is how it’s played:
The auctioneer asks everyone to get on their feet because they’re all in the game. The cost of the prize is just $1. We’re going to slowly raise the price and when you hear a price you “wouldn’t” pay, you sit down. It becomes a game of chicken at the end because the last person standing buys the prize at the last prize.
Then we say, “Okay, the cost of this prize is $1, … now it’s $100 … now $200 … now $300 … etc. until we get a winner.
The last bidder game is another good way to raise money, but it’s definitely the most complex of the three games listed here.
Here’s how the game is played:
You select a prize that everyone is bidding on, and you tell them that the cost of that prize is $50. The prize will be sold to the person who bids “last”, but every time bidders raise their paddles they’re going to be charged another $50.
Eventually, the last person to place a bid will win the item.
We do this game periodically, but we don’t love it, and don’t recommend it for everyone, because it has some negatives.
That potential for unfairness is the reason we don’t “love” this game, but we recognize that it can be an effective fundraising vehicle. As long as the auctioneer clearly explains that every bid counts, whether you win or not.
One of the important skills to develop for selling live auction items is knowing how to describe the items properly. Some groups go way too far, providing far too many details, and others are a way to light on details and aren’t giving bidders a clear understanding of what they can win, and what the restrictions are.
There’s nothing worse for your nonprofit than auctioning off a vacation to Mexico for $7,500, but when the winner tries to book the trip, they discover they can’t use it at Christmas or New Year’s or Spring Break, or any other time that’s convenient for them. Instead, they learn that the trip is restricted to the off-season months.
That’s disappointing for them and puts your nonprofit in a bad position. They will feel that you tricked them, and if they paid for an item during your live auction then they are among the higher net worth people in your audience, which means they’re probably one of your important supporters, or they’re closely connected to one of your important supporters.
You want to lead off with one sentence of flowery description and then get into the basics of the package.
You want to cover the basics, but don’t go overboard. You don’t need to list every appliance in the kitchen or every activity available on the resort or in the town.
If we had a nickel for every time someone suggested that the key to a great live auction is encouraging people to drink a lot, we’d have about $12.35. :-)
We’ve seen enough auctions to recognize that booze is not the answer. Yes, it’s good for people to have a drink in them. Both physiologically and psychologically, when people are trying to relax and have fun, a drink in their hand helps them relax, even before they take the first sip. So a drink or two is okay.
But there are two major things to consider: The first is the ethics of your organization. You work in the nonprofit world, where you’re diligently solving problems to make people’s lives better every day. It would be inconsistent with your identity as an organization to take advantage of someone who was inebriated.
The second consideration is the reality that drunk people can wreak havoc on your live auction. We believe that any donor who is obviously intoxicated should not be bidding without the approval of a sober person in their party.
For example, we did a major fundraising gala a few years ago in which a woman in one of the front tables was clearly drunk. Even from the stage, the auctioneer could tell that she was like a caricature of a drunk person -- glassy eyes, laughing too loudly, talking too loudly, unsteady in her chair, etc. -- but she was also a major bidder in the auction who raised her paddle to bid for most of the items.
At one point the auctioneer said, “It looks like you’ve had a few drinks, so we don’t want to take advantage of you, and have you bid more than you’re comfortable bidding. Sir, are you her husband? Will you confirm that you approve this bid? Okay, wonderful, we’re at $2,500 … now can we get $3,000?”
And each time she bid, the auctioneer would look again to the husband for confirmation. By doing that, the auctioneer ensured that she was not being taken advantage of just because she was drunk.
Her bidding clearly helped the auction, but she also talked a lot. She kept yelling out to the auctioneer, “Hey! … Hey! …. I’ve got a question.”
The auctioneer would stop, listen to her question, answer it, and then continue. She definitely extended the length of the auction and slowed everything down.
She’s one example, but we’ve seen dozens of instances in which drunk people just create too much noise, too much distraction and too much chaos during the live auction.
The other problem that you’re going to encounter with people who drink too much is that when they wake up the next morning, they might not remember exactly what they did, or they might regret what they did. So when you try to collect the money for the item(s) they purchased, the say, “I didn’t mean to do that. I was drunk, and I did not mean to purchase this trip. I don’t want it.”
Then you’re in a tough spot.
So the strategy for achieving your live auction goals should not rest on having an open bar and hoping that people will drink too much.
The first thing we’ll tell about this topic is that we are biased.
We prefer auctioneers who speak like regular people, and don’t have a fast auctioneer’s chant.
However, despite our bias, we recognize that determining whether you need a traditional fast-talking auctioneer or a more modern normal-talking auctioneer depends on the type of event you’re hosting, the atmosphere you’re trying to create and what your audience prefers.
Some groups absolutely love the cowboy auctioneer who’s wearing a cowboy hat, tuxedo jacket with blue jeans and boots and has a smooth rhythmic chant and a crew of ring men working the room screaming “Yep!” … “Hey!” ….
There’s an energy a crew like that brings into the room, and a well-oiled auctioneering team can be a marvel to watch.
That is absolutely the right fit for some events.
On the other side of the coin are auctioneers who speak at a regular speed, say normal things and do not use an auction chant.
Here’s where our bias shows up. We’ve been to many auction fundraising events with fast-talking auctioneers, and we believe that while the chant from the auctioneer and the hollering from the ringmen is exciting and interesting at first, we believe that excitement and interest fades in the first few minutes and most of the audience simply checks out.
They don’t understand what’s happening, aren’t sure what the auctioneer is saying, and keeping track of it becomes a chore rather than a form of entertainment. So they chat with their neighbors, go get a drink at the bar, visit the restroom, get on their phones, etc. but they are not paying the slightest attention to what’s happening on the stage.
We’ve also seen that bidders can be very confused by the fast-talking auctioneer. Can you imagine how intimidated you would feel if you went to a cattle auction to buy cattle, or an auto auction to buy used cars? You’d be standing in a crowd of professional buyers, trying to keep up with what the auctioneer is saying, trying to recognize when he has accepted your bid and trying to know where the bidding is and where you stand in the bidding at all times. It would be extremely intimidating and confusing.
We think that same intimidation and confusion exists when that cattle or auto auctioneer comes to your gala and starts his or her fast-talking patter on the stage.
We believe that benefit auctions are primarily social gatherings. People will be drinking and socializing with their friends, taking selfies, checking their Facebook and Instagram, sitting at round tables that guarantee roughly a quarter of the audience will have its back turned to the stage.
In this environment, speaking clearly and at regular speed is important to helping the bidders understand where they are, keeping the audience engaged and ensuring that the crowd is still in the room ready to participate in the paddle raiser.
At The Gala Team, we are experts at all of the Steps listed in this document. We have helped hundreds of nonprofits make adjustments to their live auctions that have produced thousands and sometimes tens of thousands of extra dollars of fundraising revenue.
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